Review: The City and Its Uncertain Walls

Title: The City and Its Uncertain Walls
Author: Haruki Murakami
Translator: Philip Gabriel
Pages: 464
Release: November 19, 2024


Our main character inhabits two parallel worlds—one is the “real world,” and the other is a “dream world” reminiscent of Susanna Clarke’s Piranesi: a nameless city with labyrinthine streets that feels disorienting yet mesmerizing.

The story is told in an understated and straightforward way, with little drama but plenty of pleasant imagery. Some elements felt downright cozy, though they lacked significant dramatic heft. The main character grapples with existential questions about his inner worldview and his sense of self, which are represented through the parallel worlds he experiences. Is the walled town a construct of his mind? A physical manifestation of the complex bond he shared with his first love? Who’s to say?

Murakami abandons the eponymous city for the “real world” early on, and the farther the narrative distances itself from that place, the harder it becomes—for both the main character and the reader—to return to what we once remembered. The plot clumsily attempts to weave these threads and worlds back together, but the resulting knot felt unsatisfying to me.

Many reviews have noted that Murakami has told similar stories more effectively in the past, so surely this is not the ideal book to start with as a Murakami neophyte—but here we are. I suspect I would connect better with his earlier works, as his writing and style resonated with me, but the story itself felt half-baked.

★★★

My thanks to the publisher and NetGalley for an advanced reader copy in exchange for an honest review.

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